Of the album itslef, I really feel the balladry more than the uptempo material. Tracks such as "Whip It" were good in their day, but I believe the following choices have, without question, outlasted them. Take the title track as an example. Vocally, Michael is at the top of his smooth game and the use of a string arp, acoustic piano and Fender Rhodes seal this as a well-crefted and delivered slice of 70s soul. My favourite is the smoocer "Let Me Love You", complete with Herbie Hancock on Fender Rhodes, Ray Parker, Jr on guitar and Ollie Brown on percussion. Michael himself adopts his powerful Bass skills and the result is humbling. I wish he would get back to the studio to record material like this today. "I Can't Help It" is another smash for me, Michael utilising a serious vocal scale, dropping from a rich, resonant bass one minute to a sweet tenor the second. The stars also come out to shine on "At The Concert" - Roberta Flack, Gwen Guthrie sand Ullanda McCullough boosting Michaels soul power by real magnitude on this deliciously jazzy number. If ever you need to remember how great the 70s was, aside from the Disco nonsense, then dig this album out and give it a spin.
Barry Towler
The Vibe Scribe
The Vibe Scribe
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